Review

The production makes for pointless and boring watching for audiences.

The cast in this production of the Grenfell Inquiry know this theatre is more important than them - this is why it is so powerful.

The story carefully, and cleverly, portrays domestic abuse, making it one of the more worthwhile Netflix originals of late

Sir Ian McKellen proves there are no small parts, only small actors in Anton Chekhov's The Cherry Orchard

A modern production of the Shakespeare classic fails to provide a new angle

A stage adaptation of the author's The Mirror and the Light makes for feeble and pretentious watching

A once sexy, sassy and sensational production is now showing signs of aging

The cruellest pandemic play that leaves audiences haunted long after it's finished

The production adopts an ambitious task of trying to get the audience to feel for two German-American teenagers who fall in love in a Nazi summer camp, and falls short

This play presents another example of a risk averse post-pandemic West End and it should do better than that

From France comes a giant leap in tales about life on housing estates.

By and large, classic films should not be rehashed as stage productions, writes TIM WALKER. But, this musical makes an exception.

A play about immigration that shakes away smugness, with a powerful over-arching message - be kind.

While the show has its successes and has the power to save the West End, it leaves audiences cold, writes TIM WALKER

A seamless musical experience from Des McAnuff where it is a hard task not to have a blast

Inevitably funny and sad simultaneously, a 5-star review for a production that doesn't shy away from political issues

Kae Tempest's Paradise can only stir up a storm in a teacup

The revolving stage is the star of this so-so show from Andrew Lloyd Webber and Emerald Fennel

Both Succession and The White Lotus examine how the other half live with a satirical eye which makes for pleasing watching, writes MEGAN NOLAN

Nick Payne’s Constellations makes for a long evening and a theatrical let-down

Jonathan Church’s production leaves audiences out in the rain with a three-star performance

Lucy Bailey's production of Oleanna shows the play has not ages well.

How Jean Dubuffet reinvented cityscapes, the female nude.. and even his own work. By CLAUDIA PRITCHARD

Post-lockdown audiences are treated to a fun-filled evening, courtesy of Jason Donovan and Alexandra Burke

Anything Goes with Robert Lindsay and Felicity Kendal makes for a 5-star theatre experience, despite the kooky plot

Actor Stanley Tucci's Searching For Italy is the food travel show we need right now

A new exhibition shows how Bristol’s love of what used to be called graffiti art fuelled a global movement

New Netflix series Workin’ Moms gets close to exploring some fascinating issues, but sticks to safer, more tedious territory My best friend is, in her public life, a remarkably accomplished person who worked in an underserved charity sector for years and went on to use that knowledge to create new academic courses on the subject. She’s got […]