Skip to main content

Hello. It looks like you’re using an ad blocker that may prevent our website from working properly. To receive the best experience possible, please make sure any ad blockers are switched off, or add https://experience.tinypass.com to your trusted sites, and refresh the page.

If you have any questions or need help you can email us.

Theatre Review: Love and Other Acts of Violence continues Donmar’s downturn

The production makes for pointless and boring watching for audiences.

Tom Mothersdale and Abigail Weinstock in the misfiring Love and Other Acts ofViolence Photo: Helen Murray

Veteran critics – and I suppose that’s what I am now – get to have relationships with theatres. I’ve had my ups and downs, for sure, with the Donmar. I was lucky that I got started as a reviewer as the decade Michael Grandage was in charge of this venue in Covent Garden was beginning. I got used to seeing shows such as Frost/Nixon that became West End and Broadway triumphs and stars such as Jude Law, Judi Dench and Eddie Redmayne, and started to take it for granted.

Since Grandage’s departure, the venue has very obviously been struggling to find a role in life and I’m not sure it’s ever found it.

Cordelia Lynn’s Love and Other Acts of Violence is the show its current chief Michael Longhurst has chosen to reopen the venue with after a £3.4 million refurbishment. The place looks great.

I only wish I could say the same about the play, directed by Elayce Ismail. It features a warring couple played by Tom Mothersdale and Abigail Weinstock in the first act, then, in the second act, the action shifts to Poland in 1918, where Richard Katz plays an elderly Jewish father trying to keep his family safe.

I saw it with a highly intelligent lawyer and I asked her at the end if she understood a word of it.

She replied that she was going to ask me precisely the same thing. I am sorry to say this, but it’s boring, pointless rubbish.

Hello. It looks like you’re using an ad blocker that may prevent our website from working properly. To receive the best experience possible, please make sure any ad blockers are switched off, or add https://experience.tinypass.com to your trusted sites, and refresh the page.

If you have any questions or need help you can email us.

See inside the Hate & Mail edition

Ron Cook as Richard Millett QC in Value Engineering. Photo: Tristram Kenton (1860)

Theatre Review: Value Engineering has the stage’s most important role

The cast in this production of the Grenfell Inquiry know this theatre is more important than them - this is why it is so powerful.

An unwell-looking Bayern Munich coach Julian Nagelsmann at a training session on October 19, the day before he tested positive for Covid-19. Photo: Christof Stache/ AFP via Getty Images

Their coach is in his kitchen, but Bayern refuse to sink

Julian Nagelsmann has been managing the team from his kitchen, but Bayern Munich's spirits won't be dimmed.